R SissyKiss: The Musical!
Create a Broadway musical for sissybabies!
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Okay, sissies - it's time to break out the Broadway showtunes!

This game could be played (or discussed) over in Random Chat, too...but I decided to try it here.

The goal: to come up with a show-stopping musical worthy of the members of SissyKiss! The rules: each post must add an already existing Broadway tune that will advance the story (however loosely "story" applies here).

I'll start the game with the opening number:

"We Are Who We Are" (from La Cage Aux Folles, of course!)

[And if you're looking for suggestions for later plot developments...may I humbly recommend: "You're The Top" from Anything Goes...say, a sissy sings of his/her love for another sissy..."Baby, I'm the bottom, but you're the top!"; "Man Up" - Book of Mormon...with the line, "I'll man up all over myself" - well, need I say more?; or "It Don't Mean a Thing 'Til You Get That Swing"...you get the idea] .

See you at the Tony Awards! So...

"We are who we are, and what we are, is an illusion..."  
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kryxel
after the opening tune there is a stage set like a funeral, towards the front are all moderatly "normal" dressed people, with a few obvious Doms and the subs in back,
the plackard by the flowers says "akita "evita" smith"
the father of akita sees the dommes and decides to get them to leave, he rants and raves about how "his son" was swindled by "you people" and just as he builds up a good head of steam in comes The Main Cast.
they see what is going on and decide to Celebrate life and its choices via
La Vie Bohem from RENT
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TiresiasRex
At LAST! Someone wants to play!

I was beginning to think, after NINE MONTHS months of silence, that the show would never open...it would be something along the lines of the musical the producers of THE PRODUCERS were hoping for: a complete flop.

But now, we have a spark of interest.

I propose new rules:

Give me the "gotta have" tunes...and a scene with the tune, and I'll put it in the proper order.

We already have a dramatic opening from kryxel...

The next scene, much like the opening flashback with Galinda in WICKED, is the friends of akita wondering, how did we get here? what was s/he like? what brought he/r to this moment?

[cue flashback music and...]

Our hero/heroine is then seen attending a cabaret act: repeat my opening from La Cage Aux Folles ("We Are Who We Are").

And note: like JK Rowling knowing the last word of the Potter series ("Scar") - which, of course, she later changed, I reserve the right to end the musical as I see fit. And for now: this is the finale - a rousing rendition of "Anything Goes" (from Anything Goes).!

Thanks for playing!
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kryxel
the Cabaret scene ends and the Dancer climbs off the stage, the bar closing up for the night. he opens his makeup kit and touches up a few things before seeing a boy, maybe 18 staring at
evita blinks, he sees The Dancer, someone like him. a person who was interested in being someone who was above the norm.
The Dancer closed his makeup and smiles, tossing the small case to the boy
he stands up and extends a hand

(Cue Whole New World from Alladin)
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TiresiasRex


 the Cabaret scene ends and Akita "evita" climbs off the stage, the bar closing up for the night. he opens his makeup kit and touches up a few things before seeing a boy, maybe 18 staring at "evita"
evita blinks, he sees someone else inside the young boy, a younger "akita" who was interested in being someone who was above the norm.
evita closed his makeup and smiles, tossing the small case to the boy
he stands up and extends a hand

(Cue Whole New World from Alladin)  




Hmmmm...well, the only question (and comment) I would have is: in my previous post, I was suggesting that the young boy in the audience IS Akita...and he began his/her journey while visiting the cabaret...yuo suggest that he is the cabaret performer...hmmmm....

Are we on the same page? Or do we have an interesting "time warp" (cue the music!) going on here? Older self meets the younger self?
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kryxel
ah... i thought it was the cabaret person. i was not sure. thanks for clarifying.
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CynthiaAnne


 ah... i thought it was the cabaret person. i was not sure. thanks for clarifying.  




I feel pretty from West Side Story. FIRST CHOICE, sillies!

A boy is forcefully feminized by his sisters and cousins; unexpected joy lights "her" face...etc.

Am I REALLY the first girl to think of this one? WOW.... @_# *shock*
CynthiaAnne
Executive Transvestite
& Monster Grrrrrl


Every new day we are granted is a gift, a precious gift. But it's usually tube socks or fruitcake or some crap like that,when all you
REALLY wanted was a Malibu Barbie.
.

"We're alone in a godless universe. Life is meaningless, death is inevitable. But is that necessarily SO depressing ?
"Brendan Fraser, as 'Eliot', in"Bedazzled"

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TiresiasRex


 I feel pretty from West Side Story. FIRST CHOICE, sillies!

A boy is forcefully feminized by his sisters and cousins; unexpected joy lights "her" face...etc.

Am I REALLY the first girl to think of this one? WOW.... @_# *shock*  




Yup. You were the first. I was going with more "contemporary" tunes:

* "It's Raining Men" (recycled for an update of PRISCILLA, QUEEN OF THE DESERT)
* "Paris Makes Me Horny" (VICTOR/VICTORIA)
* "Why Can't You Behave?" (KISS ME, KATE)
* "Lost and Found" (CITY OF ANGELS)
* "Because I Knew You" (WICKED)

Or a few gems from the 1970s:

* "Tits and Ass" (A CHORUS LINE)
* "Lullaby of Broadway" (FOLLIES)
* "Just a Sweet Transvestite" (ROCKY HORROR PICTURE SHOW)

And for some classics (1930s, now in revival):

* "You're the Top" (ANYTHING GOES)
* "Anything Goes" (ANYTHING GOES)

Ah, the classics....
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kryxel
are we just randomly posting songs that could work?
Otto Titsling from bette midler
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TiresiasRex


 are we just randomly posting songs that could work?
Otto Titsling from bette midler  




Yup...I sort of changed the rules (sorry) in an earlier post (Number 3, above).

Give me a list of BROADWAY production songs, preferably from established (i.e., they ran for more than a month!) musicals, I'll call for a deadline after a time, and then we'll start the game of "placing" them in a coherent storyline. However, thanks, kryxel...as you technically got the plot moving!
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kryxel
"ill cover you" Rent
"Tango Maurene" Rent
"Take me or leave me" Rent
(basically anything from rent.)
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CynthiaAnne


 Yup...I sort of changed the rules (sorry) in an earlier post (Number 3, above).

Give me a list of BROADWAY production songs, preferably from established (i.e., they ran for more than a month!) musicals, I'll call for a deadline after a time, and then we'll start the game of "placing" them in a coherent storyline. However, thanks, kryxel...as you technically got the plot moving!  




So you no longer want scenario info?

I don't really get it anymore; are we just shouting out our favorite show tunes, like a bunch of used up drunken queens at a piano bar? ( no offense ).

Not to mention, and this is a little puzzling, you put out a list of your own of what you were thinking of, so I'm not sure if that's supposed to be some sort of guideline, or just how to kiss the director's ass, or ???

Don't get me wrong, sweetie, I'll blow you if it gets my scenes in with a bigger budget ~_^

(And, BTW, I'd consider this even more "sissy" but still on your approved list of actual shows: "Don't Dream It, Be It." from TRHS. Just sayin' )

However, just in case something of the earlier rules still apply...

" Frank Mills" from Hair.
The "sissy twist" to the scene, is that, whilst the singer sings her little torch song for the boy Frank Mills, Frank Mills himself has become "Frankie", watching the entire number perched on a theater marquee above, with a certain melancholy wistfulness, wondering whether or not the adoration and yearning the singer feels for the boy Frank is something that, by becoming "Frankie", s/he has forever lost.

Big reconciliation scene later on ( can't pick a song yet. I'd go for "He's a Rebel" transposed to "She's a Rebel", but it's not a show tune) as Biker Gal Frankie drives up on a big Harley w/sidecar, and sweeps the girl ( and her friend Angela) off their feet, and they all ride off into the sunset to a girly-on-girl happily-ever-after.

Sorry if any of the preamble to that sounded really bitchy; it's been a long day. Sowwwwy. ,-_-,

But, what musical ever get's off the ground w/out a little Diva/Primadonna bitchiness? ~_^

Hugs~N~Kisses~N~BigBouquetsOfRoses
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